Authors: Ms Sujata Sinha
Abstract: This article questions the narrative displacement of men in The Morning Show (2019–present), Apple TV+ by using the lens of feminist television criticism and post-#MeToo cultural discourse. Although the series is usually understood as a timely investigation of workplace harassment and the corporate complicity, the author here is arguing that the most radical intervention of the series is the structural side-lining of male authority. The fall of Mitch Kessler is a metaphor for the decline of patriarchal charisma while those secondary male characters like Chip and Cory, as examples of marginal or alternative masculinities, do not bring male power back. However, the lack of men is not an indication that the patriarchy has been eradicated: the power of men is still there in the corporate boards that are faceless, legal frameworks, and financial imperatives, even if it is in its apparent invisibility. The series by focusing on women's agency, conflict, and solidarity in the newsroom, first, reconstructs broadcast journalism as a feminized space and, secondly, it allows the empowerment contradictions under neoliberal capitalism to be visible. This article, by comparing The Morning Show with contemporaneous texts like Bombshell, She Said, and Succession, is pointing out how televisual narratives are dealing with the afterlives of patriarchy in the wake of #MeToo.